The instrumental music I have released so far can be broadly categorized as glitch-hop, but it also draws inspiration from genres such as romanticism and jazz.
Albert is a glitch-hop song with a singing robot. It highlights my love of vocal sampling
and the onorthodox ways I like to construct a groove.
The Comet Library is my first full-length album. I made it in chronological order
and all the songs flow into each other. I'm proud of how it balances bouncy, electronic sections
with more quiet and lyrical moments.
I love Vocaloid music, so one day I decided to make pop songs with vocal synths myself. I mainly use Synthesizer V's Eleanor Forte library for the vocals. The video's are noteable because I made them myself. Some by 3D modeling scenes in Blender, others such as In a Sunlit Park by just doing a whole lot of editing. I do often use third-party assets or illustrations, credits are in the descriptions.
Some of these songs are very poppy, especially All I Ever Wanted, which is just shamelessly pop.
I'm especially proud of Watching Snow Fall Again, I like how the lyrics feel
very true to myself even though the story is fictional. Another highlight is Ghosts on my Shelf,
mostly because I think the production turned out really well and there are some interesting rhythms
and modulations in there.
I have so far made two covers. My Funny Valentine is my interpretation of an old jazz standard,
it has some of the most expressive vocal synth tuning I have ever done. For The Prayer I tried
to mimic the production of the original, an old Bloc Party song, while adding some things that I liked here and there.
I composed this to relfect and compliment the artwork in the video. It's one of my more experimental songs and I'm very proud of it.
This is an audiovisual compostion, I made the video in Touchdesigner.
It all works in realtime, I didn't do any editing or post processing except to add the title.
This is a segment of Koukou, a short animation by Takashi Ohashi, that I made new music for.
The music is based on a single synthesizer note that I added a whole lot of effects to. I then automated those
effects to make the music react to the video.
This is a binaural composition for headphones inspired by acoustic ambient music, such as Nels Cline's Lovers.
I tried to recreate the intimacy of such music with purely electronic means, I did everything on my laptop without
using any microphones or (samples of) physical instruments. I made the visualizer myself in Touchdesigner.
A song I made to explore some sound design ideas in a live setting. I made some custom Max For Live devices for it.